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¸¶À̶óÀÇ ÆíÁö(Mayra¡¯s letter)
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¡±2018³â 7¿ù 7ÀÏ, ³«ÅÂÁË À§Ç塤ÆóÁö Ã˱¸ ÆÛ·¹À̵忡¼ »ó´ã¼Ò ±ê¹ßÀ» º¸°í ã¾Æ¿Í Ȱµ¿°¡µé°ú ù Àλ縦 ³ª´©¾ú´ø ¸¶À̶ó(Mayra Tenorio)°¡ ¾î´Àµ¡ 1³â°£ÀÇ ÀÎÅÏ È°µ¿À» ¸¶¹«¸®Çß½À´Ï´Ù. 1³â µ¿¾È »ó´ã¼ÒÀÇ È°µ¿¿¡ ¾ÖÁ¤°ú ¿ÀǸ¦ °®°í Âü¿©ÇØÁÖ¾ú´ø ¸¶À̶óÀÇ È°µ¿ Èı⸦ ÀüÇÕ´Ï´Ù¡°
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·ç½º Àç´Ü(Luce Foundation)À» ÅëÇØ, Á¦°¡ Àоú´ø ¡°Æä¹Ì´Ï½ºÆ® ¸®ºÎÆ®¡±(Feminist Reboot)ÀÇ ÇöÀå¿¡ Á÷Á¢ Âü¿©ÇϰíÀÚ ¼¿ï¿¡ ¿Ã ¼ö ÀÖ¾ú½À´Ï´Ù. ´õ ±¸Ã¼ÀûÀ¸·Î´Â, Çѱ¹ ¿©¼ºµé¿¡°Ô ¿µÇâÀ» ¹ÌÄ¡´Â Á¨´õ À̽´¿¡ ´ëÇØ ¾Ë°í ½Í¾ú°í, ÀÌ·¯ÇÑ ¿îµ¿À» ¿òÁ÷À̰í ÀÖ¾ú´ø Æä¹Ì´Ï½ºÆ®µé¿¡°Ô Á¨´õ À̽´¸¦ ¹è¿ì°í ½Í¾ú½À´Ï´Ù. ±×¸®°í Çѱ¹¼ºÆø·Â»ó´ã¼Ò´Â ±×·± Àú¿¡°Ô ¹®À» ¿¾îÁÖ¾ú½À´Ï´Ù. Áö³ 10°³¿ù µ¿¾È, Àú´Â »ó´ã¼Ò Ȱµ¿°¡µé°ú ÇÔ²² ¸¹Àº Ȱµ¿¿¡ Âü¿©ÇÏ¿´½À´Ï´Ù. Áýȸ, ÆÛÆ÷¸Õ½º, ÇÇÄÏÆÃÀ» °°ÀÌ Çß°í, °Å±â¼ Çѱ¹¼ºÆø·Â»ó´ã¼Ò°¡ ´Ù¸¥ ¿©¼º´Üüµé°ú ¼º¼Ò¼öÀÚ, Àå¾ÖÀΰú °°Àº ´Ù¸¥ ¼Ò¼öÀÚ ´Üü¿Í ÇÔ²² Çù·ÂÀûÀ¸·Î ³ë·ÂÇÏ´Â ¸ð½ÀÀ» º¸¾Ò½À´Ï´Ù.
Çѱ¹¼ºÆø·Â»ó´ã¼ÒÀÇ È°µ¿°¡µéÀº Çà»ç ¶§¸¶´Ù »ó´ã¼Ò¸¸ÀÇ ¾ÈÀüÇÏ°í ´Ù¾çÇÑ, ±×¸®°í »ç¶÷µéÀ» ȯ´ëÇÏ´Â °ø°£À» ¸¸µì´Ï´Ù. Àú´Â Çѱ¹¼ºÆø·Â»ó´ã¼Ò°¡ ¹æ¹®°´, ±âÀÚ, Çлý ±×¸®°í »ýÁ¸ÀÚ¸¦ ´ë»óÀ¸·Î ¿©´Â Çà»çÀÇ ¼ö¿¡ ³î¶ú½À´Ï´Ù. Çà»ç¸¦ ÁغñÇÏ´Â µ¥ µéÀÌ´Â ½Ã°£¿¡¼ »Ó¸¸ ¾Æ´Ï¶ó Âü°¡ÀÚ¿¡ ¸Â°Ô Çà»ç¸¦ ±âȹÇϴ âÀǷ¿¡¼µµ Ȱµ¿°¡µéÀÇ Çå½ÅÀ» º¸¾Ò½À´Ï´Ù. Çü½Ä¿¡ »ó°ü¾øÀÌ »ó´ã¼ÒÀÇ ¹Ì¼Ç°ú ¸ñÇ¥´Â Ç×»ó ¸íÈ®Çß½À´Ï´Ù. ¡®¼ºÆø·Â »ýÁ¸ÀÚÀÇ ¸ñ¼Ò¸®¸¦ µè´Â °Í, ±×¸®°í Ű¿ì´Â °Í¡¯. Àú´Â Ȱµ¿°¡µéÀÇ Çå½Å°ú ¸íÈ®ÇÑ ºñÀüÀÌ¾ß ¸»·Î Çѱ¹¼ºÆø·Â»ó´ã¼Ò¿¡ ¹æ¹®ÇÏ´Â ¸ðµç À̵éÀÌ ¿ôÀ¸¸ç ÇÔ²² Çϰí Ȱµ¿°¡µé°ú ½±°Ô ¾î¿ï¸± ¼ö ÀÖ´Â ÀÌÀ¯¶ó°í »ý°¢ÇÕ´Ï´Ù. Çѱ¹¼ºÆø·Â»ó´ã¼Ò´Â ¸¹Àº À̵éÀÇ ÁýÀÌ µÇ°í ÀÖ½À´Ï´Ù.
´õ¿íÀÌ, ¾î¶»°Ô Ȱµ¿°¡µéÀÌ Æä¹Ì´ÏÁòÀ» »ó´ã¼Ò ¾È¿¡¼ ¼·Î¼·Î ½ÇõÇÏ´ÂÁö¸¦ º¸¾Ò½À´Ï´Ù. ƯÈ÷, À§°èÁú¼´Â Çѱ¹ÀÇ È¸»ç¿¡¼ ¾Ç¸íÀÌ ³ô°í Çѱ¹¹®È¿Í ¾ð¾î¿¡ ½º¸çµé¾î Àִµ¥, »ó´ã¼Ò ¾È¿¡¼ Ȱµ¿°¡µéÀº ¿©·¯ ¹æ½ÄÀ¸·Î À§°èÁú¼¿¡ µµÀüÇß½À´Ï´Ù. ºñ·Ï Á¦°¡ Ȱµ¿°¡µéÀ» ´ëº¯Çϰųª À̵éÀÇ Åä·ÐÀ» Àß ¾È´Ù°í ÇÒ ¼ø ¾øÁö¸¸, ¸ðµç ±¸¼º¿øÀÌ ÀÏ»ó ¾÷¹«¸¦ °°ÀÌ ¿Ï¼öÇϰí, ¼·ÎÀÇ Çà»ç¸¦ Áö¿øÇÏ°í ¸ðµç ÆÀÀÇ ÀÏÀ» °¡Ä¡ ÀÖ°Ô Æò°¡Çϸç, ¸ðµç À̵éÀÇ ÀǰßÀ» Á¸ÁßÇÏ´Â ¼öÆòÀû ȯ°æÀ» ¸¸µé±â À§ÇØ ³ë·ÂÇϰí ÀÖÀ½À» ´À³¥ ¼ö ÀÖ¾ú½À´Ï´Ù. 2019 3.8 ¼¼°è¿©¼ºÀdz¯ Çѱ¹¿©¼º´ëȸ¿¡¼ One Billion Rising °ø¿¬ÀÇ ÃÖÁ¾ ¸®Çã¼³À» ¸¶Ä¡°í ³ª¼¼ Ȱµ¿°¡µéÀº Àú ¿ª½Ã ȯ´ëÇØÁÖ¾ú°í, Àú´Â ÆÀÀÇ ÀϺΰ¡ µÇ¾ú´Ù°í ´À²¼½À´Ï´Ù. °¡Àå ÃÖ±Ù¿¡´Â ¿ÃÇØ ¼¼°è¿©¼ºÀdz¯À» ¸Â¾Æ ÁøÇàµÇ¾ú´ø
Á¦°¡ °¡Àå ÁÁ¾ÆÇÏ´Â Æä¹Ì´Ï½ºÆ®ÀÎ, »ç¶ó ¾Æ¸Þµå(Sara Ahmed)´Â ¡°Æä¹Ì´Ï½ºÆ®·Î »ç´Â °ÍÀº ¸ðµç °ÍÀ» Áú¹®¿¡ ºÎÄ¡´Â ÀÏÀÌ´Ù. ¾î¶»°Ô Æä¹Ì´Ï½ºÆ®ÀÇ »îÀ» »ì ¼ö ÀÖÀ» °ÍÀÎÁö¿¡ ´ëÇÑ Áú¹®Àº »îÀÇ ¹®Á¦ÀÏ »Ó ¾Æ´Ï¶ó ÇϳªÀÇ Áú¹®À¸·Î¼ »ì¾Æ ÀÖ´Ù.¡±°í ÇÏ¿´½À´Ï´Ù. Àú¸¦ ¼¿ï·Î, Çѱ¹¼ºÆø·Â»ó´ã¼Ò·Î À̲ö °ÍÀº ÀÌ·¯ÇÑ ¸»µéÀ» ½Çõ¿¡ ¿Å±â°íÀÚ ÇÏ´Â ½Ãµµ ´öºÐÀ̾ú½À´Ï´Ù. Á¦ ½º½º·ÎÀÇ ½Å³ä¿¡ ³Ê¹« ¾ÈÁÖÇÏÁö ¾Ê°í, Á¦°¡ ½ÇõÇÏ´Â Æä¹Ì´ÏÁò¿¡ °è¼ÓÇØ¼ µµÀüÇϱâ À§Çؼ ´Ù¸¥ ¹®ÈÀû ¸Æ¶ô¿¡¼ Á¨´õ À̽´¿¡ ´ëÀÀÇÏ¿© Æä¹Ì´ÏÁòÀ» ½ÇõÇÏ´Â À̵鿡°Ô¼ ¹è¿ì°íÀÚ Çß½À´Ï´Ù. ¸ÅÀÏ Æä¹Ì´ÏÁòÀ» ¡®»îÀÇ ¹®Á¦·Î¡¯ ¹Þ¾ÆµéÀÌ´Â Çѱ¹¼ºÆø·Â»ó´ã¼ÒÀÇ È°µ¿°¡µé¿¡°Ô ¹è¿ï ¼ö ÀÖ¾î ¸Å¿ì Çà¿îÀ̶ó°í »ý°¢ÇÕ´Ï´Ù.
Áö³ ÁÖ Á¦°¡ ÀÏÇÏ´Â µ¿¾È, »ó´ã¼Ò¿¡ ¼¼ ¸íÀÇ »õ·Î¿î ÀÎÅÏÀÌ ¿Ô½À´Ï´Ù. ¿ì¸®´Â ´Ù °°ÀÌ 10½Ã¿¡ ¸ð¿© ÀÏÁ¤À» Á¤¸®Çϰí (ÀÏÁ¤ÀÌ ÀûÈù) ÈÀÌÆ®º¸µå¸¦ ¾÷µ¥ÀÌÆ® ÇÏ°í ³ª¼, µ¿±×¶þ°Ô ¸ð¿© ¼·Î ¼Ò°³ÇÏ´Â ½Ã°£À» °¡Á³½À´Ï´Ù. »õ·Î ¿Â ÀÎÅÏ Áß ¸î¸îÀº ±äÀåÇÏ¿© ¾î¶² ¸»À» ÇØ¾ß ÇÒ Áö ¸ð¸£´Â °ÍÀ» ´À³¥ ¼ö ÀÖ¾ú½À´Ï´Ù. ±×µéÀÇ ºÓ¾îÁø ¾ó±¼À» º¸´Ï, Á¦°¡ óÀ½ ¿ÔÀ» ´ç½Ã Àú´Â Çѱ¹¾î¸¦ ¹è¿î Áö µÎ ´Þ ¹Û¿¡ µÇÁö ¾Ê¾Æ ¾Æ¹«·± ¸»À» ÇÒ ¼ö ¾ø¾úÀ¸´Ï, ¾ó¸¶³ª ±äÀåµÇ¾î º¸¿´À»Áö ¶°¿Ã¶ú½À´Ï´Ù. ºñ·Ï ¾ÆÁ÷µµ Çѱ¹¾î¸¦ Àß ÇÏÁö ¸øÇØ ¼Ó»óÇÏÁö¸¸, Àú´Â ±× ´ç½Ã Àú¸¦ ¼Ò°³ÇÏ´Â °ÍÀÌ Æí¾ÈÇß½À´Ï´Ù. ¿Ö³Ä¸é Àú´Â ³¸¼± À̵é°ú ¼ ÀÖ´ø °ÍÀÌ ¾Æ´Ï¶ó, Á¦°¡ ¾Ë¾Æ°¡°í Á¸°æÇÏ°Ô µÉ ¿©¼ºµé°ú ¼ ÀÖ¾ú±â ¶§¹®ÀÔ´Ï´Ù. ºñ·Ï Á¦°¡ »ó´ã¼Ò¿Í ÇÔ²² ÇÏ´Â ½Ã°£ÀÌ °ð ³¡ÀÌ ³ªÁö¸¸, Àú´Â Á¦°¡ ¾ðÁ¦µç µ¹¾Æ¿À¸é ¹Ý°©°Ô ¸Â¾ÆÁÙ °ÍÀ̰í, ¶Ç Àú¿¡°Ô ¡®¹äÀº ¸Ô¾ú¾î¿ä?¡¯ ¶ó°í ¹°¾îºÁ ÁÙ °ÍÀ» ¾Ë°í ÀÖ½À´Ï´Ù.
[¿ø¹®] Mayra¡¯s letter
Every morning, the activists and counselors gather promptly at 10 am. Led by a different person each time, individual team members provide a summary of how yesterday¡¯s schedules went before moving on to what is happening that day, from who is visiting or what rooms need to be set up, to who is responsible for making lunch. It may seem like a very simple detail, but after working as an intern over the last 10 months, it is the intentionality behind how members of the KSVRC do their work that I have found most admirable.
I first learned about the KSVRC about two years ago, while I was studying a masters in Gender Studies in the UK. Although at that time I enjoyed learning in class and conducting my own research, I missed being a part of an active feminist community. I often found myself exchanging my own assigned class readings for news articles covering the rise of #MeToo in S. Korea or watching videos covering protests against the criminalization of abortion and ¡°Molka¡±. The KSVRC was mentioned often, either because they had attended a press conference, shared data related to sexual violence, or joined a demonstration.
Through the Luce Foundation, I was able to come to Seoul to be a part of the ¡°Feminist Reboot¡± that I had read about. More specifically, I wanted to learn about gender issues affecting women in Korea from the feminists who were mobilizing the movement, and the KSVRC opened their doors to me. Over these past ten months, I participated in many activities along with the members. I joined them at demonstrations, performances, and picketing events, where I saw the collaborative efforts the KSVRC builds with other women¡¯s NGOs and organizations representing other minorities, such as sexual minorities and people with disabilities.
The members also created their own diverse, welcoming, and safe spaces at their own events. I was amazed at the number of events the KSVRC held for guests, reporters, students, and survivors. I saw the dedication of the members not just in the hours they worked, but in the creativity of the events they planned for each audience. Regardless of the format, their mission and goal was always clear: to listen to and raise the voices of survivors of sexual violence. I think that their committment and clear vision is part of the reason why every person who visits the KSVRC runs in with a smile and is quickly embraced by the members. The KSVRC has become a home to many.
Moreover, I saw how the members put into practice their feminism inside the center with one another. Particularly, the hierarchal system that is notoriously practiced inside Korean companies and also embedded into much of Korean culture and language was challenged in many ways. Although I cannot speak for the members or can say I am familiar with their discussions, I felt that there was an intention to create a more horizontal environment where each member¡¯s opinion was respected, each team¡¯s contribution was given value, and everyone joined in to complete daily tasks and support each other¡¯s events.
I too was welcomed by the members and included as part of their team. I most recently helped in their One Billion Rising Campaign for this year¡¯s International Women¡¯s Day Festival. They trusted me to bring in a friend to choreograph the dance and to help during practice sessions with the participants. During our performance, I felt truly lucky to stand with them and be a part of the feminist movement in Korea in this point of time.
One of my favorite feminists, Sara Ahmed wrote ¡°To live a feminist life is to make everything into something that is questionable. The question of how to live a feminist life is alive as a question as well as being a life question.¡± What led me to Seoul and to the KSVRC, was my own attempt to put these words into action. To not become too comfortable in my own beliefs and instead continue to challenge the feminism that I practice, by learning from others who are also practicing feminism in a different cultural context and in response to different gender issues. I feel very luck to have learned alongside the activists and counselors of the KSVRC, who embrace that feminism is a ¡°life question¡± everyday.
During my last week of work, three new interns arrived at the office. Once again we gathered around at 10 am and after the schedules were settled and the whiteboard was updated, we all went around in a circle to introduce ourselves. I could tell some of the new interns were nervous, unsure of what to say. As I looked at their blushing faces, I thought how nervous I also might¡¯ve looked, especially since by that point, I had only studied Korean for two months and actually could not say anything. Although I¡¯m afraid I still cannot speak Korean, that day I introduced myself comfortably because I was standing not with strangers but women I had gotten know and grown to respect. And I although my time at the center has come to an end, I know that I too can always return and expect to be welcomed and asked, ¡°have you eaten yet?¡± ![]() ![]() ![]() |
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